<NewsOpenDataModel><subject>&lt;![CDATA[🎨 Exhibition Info｜2025 Taiwan International Women’s Film Festival: Campus Tour – A Collaboration of Five Universities]]&gt;</subject><dataClassName>Event Information</dataClassName><pubUnitName>Office of Gender Equality Education</pubUnitName><posterDate>2025-10-16</posterDate><updateDate>2025-10-16</updateDate><detailContent>&lt;![CDATA[&lt;div class="ed_model03 clearfix">&#xd;
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&lt;div class="ed_title01">&lt;span style="font-size:120%;">🎨 Exhibition Info｜2025 Taiwan International Women&amp;rsquo;s Film Festival: Campus Tour &amp;ndash; A Collaboration of Five Universities&lt;/span>&lt;/div>&#xd;
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&lt;span style="font-size:110%;">The 32nd Taiwan International Women&amp;rsquo;s Film Festival adopts the theme&amp;nbsp;&amp;ldquo;Broken Landscapes&amp;rdquo;, responding to today&amp;rsquo;s rapidly changing world &amp;mdash; one that may appear imperfect, even fractured and disordered. The word&amp;nbsp;&amp;ldquo;broken&amp;rdquo;&amp;nbsp;evokes both destruction and breakthrough, suggesting new possibilities emerging from collapse.&lt;br />&#xd;
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For this year&amp;rsquo;s visual identity, the Festival once again collaborates with designer&amp;nbsp;An-Ru Chen, who previously created the visuals for the 19th and 20th editions. Drawing inspiration from the iconic experimental film&amp;nbsp;Invisible Adversaries, Chen reinterprets its imagery to situate the body at the tense and contradictory edge of landscape &amp;mdash; where ruin and regeneration coexist.&lt;br />&#xd;
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The English title&amp;nbsp;&amp;ldquo;A Room with a View&amp;rdquo;&amp;nbsp;highlights the threshold of cinematic perception and subtly echoes&amp;nbsp;Virginia Woolf&amp;rsquo;s&amp;nbsp;feminist classic&amp;nbsp;A Room of One&amp;rsquo;s Own, reflecting the Festival&amp;rsquo;s enduring commitment to women&amp;rsquo;s perspectives and creative space.&lt;/span>&lt;/div>&#xd;
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